The Work of Damian and Ron Moppett: The Artist Studio as Art Itself

by Lindsay Shapka in ,


Yard, 1978 by Ron Moppett (sculpture)
The Feinem Building, Matza Memorial Monument and the Venezky Building with Parkade, 1977; The Babich Arena with Ehrlich Ampitheater and Parking Complex, 1997; 12th and Dragomahn St., 1997; Century City, 1997; Century City (Second Configuration), 1997; The Hendrick Kubel Monument, The McKevitt Observatory, The National Trust Town and St. Mary's Church with Expansion Wing, 1997 by Damian Moppett (photographs)

For the first time Canadian artists Ron and Damian Moppett (father and son) are exhibiting selections from their vast collection of work together at the Art Gallery of Alberta. This unique show explores the similarity in their artistic practices and the different approaches that they use to interpret the subject of the artists's studio. 

Both are studio artists which, according to Ron, means that their job is to go to the studio every day and paint (or create). Both men are devoted to their craft. 

According to the artists, this grouping was their favourite of the exhibition.
Painting Nature with a Mirror, 1985 by Ron Moppett (left)
Match, 1986 by Ron Moppett (sculpture)
The Bells, 2010 by Damian Moppett (right)

The selected works for the exhibit Damian Moppett + Ron Moppett (Every Story Has Two Sides) are pulled from no specific time period, but were chosen by how they work together when displayed side by side.

You will see pieces by Ron stretching back to the 70s and Damian's oldest pieces are from the 90s. 

The Love Letter, 2014 by Ron Moppett

Ron was born in England in 1945, moved to Canada in 1957, and has had an incredible career to date which has involved solo and group exhibitions around the world. His paintings blur realism with abstraction and he uses stencilling, cut outs and layering to create his stunning, large scale works. 

Two Plaster Sculptures in Studio with Chairs, 2007 by Damian Moppett

Damian was born in Calgary, Alberta, Canada in 1969 and works in all forms of media, including photography, sculpture, painting, video, and drawing. His pieces explore the idea of what art is and the process of making it. The artist studio, and the materials within it are represented in most of his pieces as works of art themselves.  

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Creative Personality: An Interview With Artist Malorie Shmyr

by Lindsay Shapka in ,


Malorie on set at my travel inspired photo shoot 

After just one visit to malorieshmyr.com  it is obvious that this talented creative director, fine artist and 3D modeler is something special.

The last couple of years have brought a world of success for this Edmonton, Alberta-based talent whose whimsical view of the world has been translated in movies, on the runway, on canvas, in print, and in photographs. I have had the honour of knowing Malorie for many years now and have had the pleasure of interviewing her to get some insight into the life and mind of a working artist. 

Obsessed with staying in the lines as a child, Malorie's professional career as an artist really started with the decision to attend the Academy of Art in San Francisco where she learned how to create 3D models for video games (a skill that she has also used to help develop 3D sets for movies as well).  

Though there was clearly money in this type of work, she soon realized that her true love was painting, drawing (see sketches from her notebooks below), and creative directing.

"I love the idea of using more than one medium to convey ideas," Malorie told me.  

The Anthrotorian (A): Where does your inspiration come from?
Malorie Shmyr (MS): It would be rare to have something not inspire me! It might be something a part of everyday life, or even just a feeling. I am also inspired by great artists like Klimt, Dali, Matisse, Toulouse-Lautrec, and the sketches of Michelangelo.

A: What do you hope to accomplish with your art?
MS: The technical training that I had gave me a need to please an audience with my art. It took me a long time to learn how to create for myself and not with other people in mind. My ultimate hope is to inspire. Even if I don't sell I piece if I inspire someone that's ok.  

A: How would you describe yourself in 3 words?
MS: Hmmm... inspired, imaginative, excited. 

Malorie painting in her sun-drenched studio

Malorie has directed and shot countless photo shoots for local designers, hairstylists, magazines (check out her digital publication Opalus Magazine), and friends (including me!).

I was lucky one warm Sunday afternoon to have Malorie shoot some beautiful photographs of me at her studio, and I envy the people that get to work with her on a professional level often.

She has never-ending energy, vision, and inspiration when on set that is absolutely contagious!

Here are a few images from our shoot together: 

Malorie's upcoming project is also the one that seems to be the closest to her heart. It is something that she has been actively been working on for a few years now, but seems to have been in the works for most of her life: 

"I used to be really self-conscious about my body. I cried a lot. Recently I saw pictures of myself at, what I considered to be, my worst and really reflected on what it was that I was so worried about. I realized that I wasted a lot of tears. I wished I could tell that girl, 'I wish you could see through my eyes how beautiful you are'."  

Sick of Photoshop, Hollywood, and other women making her feel bad about her body, she decided to take charge through her art. As part of her research for the project, she started talking to female family and friends about how they viewed themselves:  

"If I had known that all of the other girls were as self-conscious as me, it would have made growing up much easier." 

She selected a group of models for the project and had them each tell her what part of their body they were the most self-conscious about. Then using pen and ink, and acrylic on wooden canvases, she is creating a series of images that will represent the evolution from being trapped by your self-consciousness to being free from it. 

"When you first walk into the gallery... there is going to be a big wood panel covered in different colours of ink that will represent the self-consciousness. There will a mirror, so when you walk in you will see yourself in your outfit, your makeup. I know that a lot of girls, and me, look at what they are most self-conscious about first and then everything else. They will be reminded of their self-conscious before they even come into the exhibit. 

There will next be small wood panels with figures in black and white in swirls of colour in disturbing, sad poses. They are trapped inside their self-conscious. Restricted. They are not photo-realistic but exaggerated and distorted — how the models see it in their head.  

Next, these women will be standing in front of their self-consciousness (their colours) open, not covering their bodies, showing their body to us. In poses that are more confident. 

And then we will go to a large piece that will be many women together and they are all supporting each other, coming together, and not feeling self-conscious together. Being honest with each other to support each other better. It is going to be beautiful and really strong.  

And then, as you exit, there will be a wood board with a mirror mounted on it but with no colours, the self-consciousness is gone. I will then have the viewers of the exhibit write what they are self-conscious about on the board and once it has been written, it means that you are taking the first step to leave what you are self-conscious about behind you. My hope is then that people who come to the show and go out after will talk about what they wrote on the board and will start a dialogue about our worries and start supporting each other." 

When asked if she had ANYTHING else that she would want people to know about her, Malorie said this: 

My true goal is to inspire people. I love seeing people doing what they love and cannot imagine — I won’t — live any other way!