by Lindsay Shapka in Art History, Artists, Art, Travel
When my sister recently came home from a trip to Paris she seemed impressed with everything that she had seen — except for the Mona Lisa.
One of the most recognized works of art in the world, reproductions of it usually come in poster sized prints while the original, hung behind thick, bullet proof glass and guarded by a velvet rope is miniature in comparison.
Read Moreby Lindsay Shapka in Art, Art History, Artists, Travel
The Berlin Wall cut through the center of Berlin from August of 1961 to November of 1989, separating the Soviet Union from Western powers. More than just a wall though, it was a complex military system that rose more than 12 feet high and had 302 towers, 12,000 guards and countless kilometers of barbed wire.
Read Moreby Lindsay Shapka in Book List, Art, Artists
Write a short story that is set in Argentina in 1932, in which a teacup plays a crucial role. Describe the greatness of sandwiches. You are a pirate — describe your perfect day. What is a character holding a blue object thinking right now? Write ten new cheers for a high school cheerleading squad.
Read Moreby Lindsay Shapka in Art, Art History, Artists, Travel
Imagine that you are one of the first explorers to North America’s West Coast.
It’s early morning, and after a paddle through the still ocean water, you have docked your canoe on a grey pebble beach. The sun has yet to pierce through the thick fog, and you can see your breath in the crisp air.
There is not a soul in sight.
Read Moreby Lindsay Shapka in Artists, Art, Art History
According to Canadian Stewart Steinhauer, though he makes his living creating beautiful stone sculptures, he is not an artist but simply someone who “inadvertently makes stuff.”
Read Moreby Lindsay Shapka in Art, Artists, Art History, Travel
Sometimes watching fellow visitors to a museum or gallery observe and react to the art is as much of an experience as observing the art yourself.
There are those that walk slowly from work to work, one hand behind their back, one on their chin, never pausing for longer than a few seconds.
Others insist on standing right in the middle of the work for minutes at a time, blocking the view for everyone else.
Couples often chat and point, commenting on the "vivid use of color" or "visible brushstrokes."
Then there are the people that make security guards nervous because they insist on leaning in so close that it looks like they are actually touching the work from a distance (these observers are often wearing thick academic looking glasses or artfully tied silk scarves).
We can’t forget the art students that tilt their heads to the side as they shuffle back and forth, trying to see the work from all angles as they fill page after page of their big black sketch books.
The rarest observers and my favorite to watch are the ones that are truly moved by what they are looking at.
The ones that gasp and inadvertently cover their mouth with their hand when they realize that they are face to face with a beloved painting, sculpture, or drawing that they had only ever seen in photos. Their faces literally glow and you can see a range of emotions pass through them while tears gather in the corners of their eyes, and they barely breathe.
After a few minutes, a goofy smile will cross their face and then suddenly self-conscious, they will glance around the room making sure no one saw their reaction, before moving on to the next piece.
by Lindsay Shapka in Art History, Art, Artists
In April of 1874, a group of 30 French artists (including Degas, Monet, and Renoir) agreed not to submit anything to the annual Salon exhibition and to create their own exhibit together in Paris.
In France at the time, the French Academy had complete control over the display of art and artistic standards and until 1874 the Salon had been the only place to show art that would garner any respect or influence.
The French Academy had strict standards on what was considered ‘art’ and rejected works that weren’t done in classical or approved styles (portraits of famous historical figures, biblical stories etc...). The work of artists like Degas, Monet and Renoir had been rejected by the Salon numerous times because, to them, it looked unfinished and haphazard.
The exhibition outside of the Salon, called the Corporation of Artists Painters, Sculptors, Engravers, etc., was a declaration of independence from the academy and was the beginning of the end of the Salon’s hold over the French art world.
At this first exhibition, a writer from a comic journal took the title of one of Monet’s paintings, Impression, Sunrise (1873) and dubbed the entire exhibition “impressionist”. The artists were thrilled with the label because it represented how they captured an instantaneous impression of a scene from nature in their art.
At that moment, Impressionism was born, and Monet, Degas, and Renoir would go down in history as famous art revolutionaries.
